SKU: 82704403300

No One Can Do It Better (LP)

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No One Can Do It Better (LP)Music On Vinyl Import on 180G Vinyl One of the West Coasts most revered, yet underrated, hip hop classics: The D. O. C. s No One Can Do It Better was produced entirely by Dr. Dre. When his debut album hit in mid 1989, The D. O. C. was in the vortex of the biggest hip hop happening on the planet: the rise and rule of N. W. A. The groups breakout album Straight Outta Compton had hit one year prior and had created both controversy and worldwide critical

Music On Vinyl Import on 180G Vinyl 

 One of the West Coasts most revered, yet underrated, hip-hop classics: The D.O.C.s No One Can Do It Better was produced entirely by Dr. Dre. When his debut album hit in mid-1989, The D.O.C. was in the vortex of the biggest hip-hop happening on the planet: the rise and rule of N.W.A. The groups breakout album Straight Outta Compton had hit one year prior and had created both controversy and worldwide critical acclaim.

As rap history buffs and industry insiders know, the D.O.C. was a crucial behind-the-scenes member of the N.W.A. inner circle – his most important role in the early days of the group, besides his close working relationship with Dr. Dre, was writing many of Eazy-Es rhymes, including his hit 1988 single We Want Eazy.

But The D.O.C. wasnt in N.W.A. and never wanted to be – he was his own man, with his own vision. And after Compton proceeded to blow up (much like Eazys 1988 LP, Eazy-Duz-It), the next crew album was No One Can Do It Better. Significantly, it was the first album where Dr. Dre showed his greatness as a solo producer for one MC. And the Dallas-born D.O.C. lived up to the challenge of Dre's funky, expertly-produced tracks by bringing his A-game on the mic.

Boasting four singles – The D.O.C. and the Doctor; Mind Blowin; the smash Its Funky Enough; and The Formula – the album is flawless from beginning to end. Of particular note beyond the singles is The Grand Finale, which was the last time that
Ice Cube, M.C. Ren and Eazy-E would rhyme on a track together.

Skillfully rhyming over both fast and slow tracks, The D.O.C. showed on this amazing record that he was one of hip-hops most talented MCs, especially on the West Coast scene. He nearly died in a horrific car crash as the album was catching fire in the late summer of 1989, but he survived and continues to make new music and act as a sounding board for Dr. Dre to this day.

Tracklist:

A1 It's Funky Enough
A2 Mind Blowin' 
A3 Lend Me An Ear 
A4 Comm. Blues
A5 Let The Bass Go
A6 Beautiful But Deadly 
B1 The D.O.C & The Doctor 
B2 No One Can Do It Better 
B3 Whirlwind Pyramid
B4 Comm. 2
B5 The Formula
B6 Portrait Of A Masterpiece
B7 The Grand Finalé

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SKU: 82704403300

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Emma
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Talia Bhatt’s Trans/Rad/Fem is a powerful and thought-provoking collection of essays that delves deep into the intersection of radical feminism and trans liberation. This book challenges the idea that trans and radical feminism are at odds, instead arguing that transfeminism is a natural extension of radical feminist thought. Bhatt’s sharp, compelling writing makes the case that a materialist, radical transfeminism is key to dismantling the oppressive structures of patriarchy. What makes Trans/Rad/Fem such a captivating read is the way Bhatt blends academic analysis with personal narrative. Her essays are intellectually rigorous, yet accessible and relatable, striking a perfect balance between theory and lived experience. The electrifying prose has the profound impact of books like Stone Butch Blues. There’s something incredibly powerful in the way Bhatt’s words cut through, offering fresh perspectives on issues that often feel tangled or misunderstood. The essays feel like a conversation with someone who’s been thinking deeply about these subjects for a long time, offering not just insight but a vision for a different, more inclusive future. Some readers have noted that familiarity with radical feminist theory will enhance the experience, but even for newcomers, the book offers eye-opening and challenging ideas. Trans/Rad/Fem has clearly made a mark. Bhatt’s ability to engage readers while encouraging critical thought is part of what makes this collection so important. Whether you’re a seasoned feminist theorist or someone looking to understand more about the intersections of gender and social justice, this book is an essential read.
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Phoebe Cook
Lowell, US
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this is the book you’re looking for
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I’d just finished reading Jules Gil-Peterson’s A Short History and felt a little unsatisfied and uncomfortable with all the orientialism. I picked this up and was immediately sure I had the antidote. Bhatt is clear, direct, and uncompromising. She avoids filler and gets right to the heart of things—“how is this not like blackface?” gets dealt with more thoroughly and decisively than I have ever seen it within the first few pages. She reveals the transmisogyny lurking in even nominally queer social and intellectual movements, and also finds pockets of beautiful solidarity and common ground in some surprising places. Above all, her love for women shines through every word. This book cleared up some misconceptions I had, made me cry, and will make me a better partner and comrade to trans women. Buy it.
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Samrat Basani
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This is a really excellent book. A lot of anthologies of essays have great essays in them, as this one does, but not all of them work as well as a cohesive text as Trans/ Rad/Fem does. I'd recommend this for anyone interested in transfeminism, even if you'd already read individual essays from Bhatt's newsletter by the same name. As with the essays in their newsletter format, The Third Sex and The Questions Has an Answer were my favorite. Bhatt's writing has such force and clarity that I look forward to reading whatever she chooses to write about next.
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An absolute tour de force reckoning with decades of feminist scholarship and theorizing about trans feminine bodies and motivations. Succinctly and pithily describes the hegemonic culture’s understanding of transsexual women and demands an accounting from the hegemony’s enablers on their treatment of all marginalized queer and especially trans people.
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Reviewed in the United States on February 14, 2025

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